Each time someone thanks us for the IWH, my heart warms. I'm not just living for me any more; I'm living for the community.
Read moreI Wrote a Book! Now What?
I've completed the rough drafts of many books in my years of writing. What typically happens is I put the finishing touches on the book, read through it once, then put it aside so I can work on the next book in the series. I'm now to the point that I actually need to prepare the book for an agent. So then I ask myself, now what? How do I go about fixing up the book when I know I have a ton of errors interspersed throughout the text? Here are a few tips I've learned while updating my own book.
- Breathe and Separate: Before you even start editing your story, take a minute to breathe. Separate yourself from the book for a few days, weeks, or even a month or two if that's what you need. If you jump into it too quickly, the story will be too fresh in your head, and that means it'll be harder for you to find mistakes. You want to read it fresh. And you also want to convince yourself not to get overwhelmed. This is not a fast process, so pace yourself.
- Change the formatting: If you have your text double-spaced, single space it. If you have it single-spaced, double space it. You'd be surprised how different your book looks when you do this, and it can help you catch more errors than if you look at it the same way you always have.
- Print it Out: As with changing the format, printing the book out allows you to look at the story in a different medium. This can also help you find errors as you go through it.
- Separate the Chapters: If your book is in one document, then save all the chapters as separate documents. As you read through, you can mark off what chapter you're on. I find that knowing I have to review 44 chapters is less daunting than having to read almost 400 pages.
- Quick Read Through: Once you've had time to breathe, read through your book once without making any changes. If there are changes you want to make, write notes so you don't distract yourself from reading through. This will help you focus more on plot errors.
- Pick a Topic: When you decide to edit your book, after the initial read, only choose one topic to edit. Maybe you're checking for continuity errors. Maybe you're looking for plot problems, or grammatical changes. Whatever it is, edit one topic at a time because otherwise you might find it way too overwhelming.
- Color Coding: Color code different types of errors to help keep your edits organized. Use "blue" for continuity problems and "green" to identify when characters show up. Post it notes also help with this if you have a printed copy.
These are just a few tips you can use to start off editing your first draft. As you go through, you'll become more comfortable with the styles that work for you. If you have any additional suggestions, post them below!
Tips: Writing Query Letters
A few months ago I decided that I wanted to try out for the Zebulon contest through the Pikes Peak Writing Convention in Colorado. The goal is to submit 2,500 words of your story, write a mock query letter, and create a synopsis. Up until that point, I hadn't tried to write an official query letter. I had made a draft of one when I was a student at the Denver Publishing Institute, but that was more a trial and error attempt. It was very, very real for the Zebulon. They even created a mock agent that you had to address. I don't claim to be a perfect query letter writer, but after that experience, I do have some tips I would like to offer to those of you who are trying to get your novels published. You can try to go through a publishing company without an agent, but from what I've read, you'll have a better shot if you have an agent at your back. So, here are just a few tips:
- Research your agent: Know what he/she is looking for. You don't want to send a fantasy query to a person who only accepts non-fiction stories. Look at some of the stories he/she has already chosen. That might help you decide if you have the right fit.
- Include information about the agent in your query. This makes the letter more personal and lets the agent know that you've taken the time to research her. This may include mentioning the books she's acquired, or the types of things she likes to read.
- Understand the query guidelines for your agent. One mishap can cause your letter to get thrown in the garbage.
- Make your query letter only a page long, or follow the word count guidelines on the agency site.
- Be confident, but not cocky. Make the agent believe that you have confidence in yourself, but don't be arrogant.
- Be professional.
- Sell your book. Create a strong attention getter that makes the agent want to keep reading your query letter. Depending on what resource you go through, you might include the hook at the beginning of the letter, or right when you discuss your story.
- Don't talk too much about yourself. If you've had work published, then include that, and the numbers too of how many books were sold. If you're a beginning writer...don't say it. Just show that you're confident in your book.
- Include word count in your query letter. Agents can often tell just how much revision you might need by the amount of words in your story (i.e. 300,000 words might be a red flag for a first time fantasy book).
- Know your facts. If your book falls under a very popular genre that's sold millions of books, say it. This means that your book might be easier to sell, and therefore the agent might be more inclined to look it over.
- If the agent asks for money upfront, RUN AWAY. This is not a legitimate agent. An agent should not be paid until your book has sold, and she'll take commission from that.
- Spell check. I can't emphasize this enough. One misspelling is a good way to get your query letter thrown out.
These are just a few things that I learned. If you want additional guidance, you can check out How to Write a Query Letter.
There are a lot of resources on the internet, but your best bet is to go through the agency website to see what they require. Good luck!
Creating God Systems
Long time no write! I'm sorry it's taken so long for me to get back to the blog, but I'm hoping to post regularly now that I'm leading a Fantasy/Sci-Fi group in Iowa City. I'll post more information about that later. For now, I would like to talk about the art of creating a God system. Many fantasy/sci-fi stories present different forms of higher powers. But how do you make them? It's really up to you, but I can give you some ideas on how to get started based on what I've done in my own writing and what I've seen.
Gods based on mythology
One way to introduce Gods into your book is to look into mythology. For example, what Gods appear in Norse mythology, Greek mythology, Celtic mythology, etc.? Each one of these Gods has a purpose, an appearance, a reason to be in the story. If you're rewriting mythology, you can freely use these Gods to your own desire. Maybe Thor makes an appearance, or Odin, or Apollo and Athena. Perhaps you're writing about vikings and you want to keep true to Norse mythology.
My advice to you is if you're stumped, read different types of mythology and see if you can create Gods that way, or reinvent those Gods. It's okay to take something that's already known and apply it to your writing, just try to put an interesting twist to it!
Symbolic Gods
My favorite thing to do is to create Gods based on symbols or elements. For example, I have five Gods in one book. Each one is based on the seasons: Fall, Winter, Summer, Spring. The final God, however, is the Goddess of balance, neither light nor dark, life nor death. Each God represents a compass location, have particular colors, and are said to provide particular gifts to mortals.
One example is my Goddess Ren. She is the Goddess of Death and Night, but this isn't necessarily a bad thing. Her followers say that life cannot come without death and death can bring life (reincarnation/dead bodies bringing about new earth). She is celebrated during the Autumnal Equinox. Her avatar is a black serpent or a black dragon. And her governing colors are red, orange, and black for the changing leaves and fire. She is also the Goddess of the West (a call out to the Wicked Witch of the West).
Using symbols helped me understand my Goddess. It also made me realize that I needed other Gods to balance her, so I have one of fertility to counter her power of death. This is a really fun way to create Gods and mess with your characters' lives.
Gods based on character needs
Sometimes the best way to build a God is determined by the needs of your characters. You may start writing and realize that your character believes in some higher power. What higher power should she follow? Well, what does she need? Is she looking for strength, guidance, answers to questions? In the Catholic faith there are patron saints that are meant to protect people in certain ways. Think of your character's needs and decide, who is her patron saint, or her patron God? From there, ask yourself if one God is enough or if you need more Gods.
The funny thing that I didn't realize about my book is that part of it revolved around my character losing her faith then finding it with the aid of a certain God. It helped give more depth to my character, and also made her more interesting. She was able to relate to me as well as to my readers. So, focus on the needs of the character and you might be able to figure out your God or Gods.
Gods who influence characters' lives
To go along with character needs, you have to consider if the Gods get involved with mortal life. Are they intangible, or do they actually walk among mortals? Do they treat mortals as equals or beneath them? If you're going to have Gods walk with them, then what should they look like? Is it hard to tell them apart from mortals? Or is it very obvious that they're big, blue, and powerful? Perhaps they have a spell on them to make them look like mortals.
You need to ask yourself these questions and see how big of a role your Gods play in the world. How little or how much they appear will determine how in depth your God system needs to be. If they're only there for the sake of basic beliefs, then you may only need names. But if you want them present, you must think how they're going to influence the world.
A final piece of advice, don't make Gods for the sake of making your story complicated. Make them have a purpose so they can move the characters and the story forward. If their presence slows down your writing, then consider cutting their appearance out.
How you make your Gods can be as complicated or simple as you want it to be. Just remember to have fun!
Rejections
It's finally happened. After spending months researching and writing, your manuscript, your masterpiece, is complete. Maybe you're trembling with anticipation or nerves; either way, you submit your writing to a contest, agent, or publisher. Exhaling shakily, you sit back and wait for the kudos and recognition you deserve.
And then this happens.
Just like in sports, you win some and you lose some, but that doesn't stop the feeling of pain and grief when a rejection pops up on your phone or lurks in the mail. Some writers might feel the urge to give up. What if I'm not good enough? What if no one will want my writing? Am I really meant to be a writer?
The truth of it is, everyone receives rejections. Even J.K. Rowling was rejected multiple times before her famous Harry Potter series was selected by a publisher. It is not the end of the world, no matter how much you think it is.
In the past month I've received four rejections from literary contests. Does it hurt? Yes. Am I giving up? Of course not! Writing is my passion, and I won't let a few rejections stop me. In fact, I have a plan. I've created a box where I keep paper copies of my rejections. When something is finally acquired, I'll rip those rejections up and turn them into confetti. That keeps me going.
So what should you do if you receive a rejection? Here are just a few ideas.
- Breathe. This won't be the last rejection letter. Pick yourself up and carry on.
- Keep writing. Being denied does not mean you are a bad writer. Don't. Give. Up.
- Listen to constructive criticism. It's rare when agents or publishers provide feedback in their letters, but if they do, take that critique and learn from it. It can make you a better author.
- Consider revising: Perhaps you missed a few errors in your writing. This is the chance for you to recheck your work.
- Try again. Don't let one rejection stop you from sending your work out again.
- Keep a rejection box of your own.
If you believe in your work, then you'll find a way to get it published either through a publishing house or self-publishing. Don't give up!